What Are You Tweeting For?

Klout and Why the Design of Social Networking Matters by :

Social media has a fraught relationship with neurosis. Obsessive people are essential to sites like Facebook and Twitter. They add energy and buzz. Their identities get tied up with their avatars, and that in itself makes the sites seem important. They provide much of the content. A study published last fall reported that twenty thousand users on Twitter provide half of what’s read there. But obsessives are dangerous, too. They can make the site seem creepy. Do I really want to check Twitter, Facebook, or Google Plus if all I see are the same thoughts, infinitely recycling, through the same minds? Is it fun to read anything from someone who seems to spend more time tweeting than living?

What Your Klout Score Really Means by Seth Stevenson, Epicenter, Wired.com:

Over time, I found my eyes drifting to tweets from folks with the lowest Klout scores. They talked about things nobody else was talking about. Sitcoms in Haiti. Quirky museum exhibits. Strange movie-theater lobby cards from the 1970s. The un-Kloutiest’s thoughts, jokes, and bubbles of honest emotion felt rawer, more authentic, and blissfully oblivious to the herd. Like unloved TV shows, these people had low Nielsen ratings — no brand would ever bother to advertise on their channels. And yet, these were the people I paid the most attention to. They were unique and genuine. That may not matter to marketers, and it may not win them much Klout. But it makes them a lot more interesting.

 

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

The Week's Links (4/29/12)

All the links posted to TwitterFacebook and Google+ this week: 

  • Improv (What I Learned This Week)owl.li/1jdMgT
  • A Closer Look At Font Rendering by Smashing Magazine owl.li/auz18
  • The Story Behind “Caine’s Arcade” owl.li/axYYC Wonderful, MIT & UCLA getting involved in his education.
  • Typography Explained owl.li/9hZKp
  • Want them all » 10 Beautiful Literary Box Setsowl.li/ausUK
  • Flip this lesson! A new way to teach with video from TED-Ed owl.li/axWWe
  • Christina Tosi: NY’s baking superstar on her very sweet tooth, David Chang, and successowl.li/ausCE Also this: owl.li/ausCF
  • Procrastination Continued owl.li/1ja1wC
  • Harvard is making public the data on more than 12M books, videos, audio, images, and more inside its 73 libraries. owl.li/axDAf
  • Today: #TEDRadioHour premieres on @NPRand online. Listen to Ep. 1, “Our Buggy Brain”:N.pr/TEDradiohour /via @tedtalks
  • How the Power of Positive Thinking Won Scientific Credibility owl.li/auqCR
  • How Did Kraftwerk End Up at MOMA?owl.li/aus8y
  • All’s Well that Ends Well may be a collaboration between Shakespeare & Thomas Middleton, say Oxford University academics…
  • Alfred Hitchcock Explains McGuffinsowl.li/9hZAS
  • The Jig Is Up: Time to Get Past Facebook and Invent a New Future owl.li/aurZC
  • Why We Shouldn’t Make Separate Mobile Websites owl.li/auq6R
  • Joss Whedon On Worthy Work owl.li/1j7Jif
  • Facts, 360 B.C.-A.D. 2012 In memoriam: After years of health problems, Facts has finally died.owl.li/ax9ZF
  • The Difference Between UX and UI: Subtleties Explained in Cereal owl.li/au5N3
  • Just love this. Twitter’s first animated commercial for smart Argentina (@smartArg), press J to play. owl.li/ax789
  • Creativity Top 5: April 25, 2012 owl.li/1j6DnA
  • Is streaming of live opera actually helping the art form? owl.li/aupNX
  • Heartless: The Story of the Tin Man owl.li/9hZzO An old one worth watching again.
  • The New Yorker launches twitter-based game. First winners on eliminating words from the english language. #tnyquestion owl.li/avhsT
  • Check out the NEA Arts Magazine owl.li/auiGq
  • Never-before-seen photos from 100 years ago tell vivid story of gritty New York City owl.li/avhl8
  • Lovely » The Most Beautiful Train Stations in the World owl.li/augvR
  • The Roller Coaster Up and Downs of Selling an Orchestra owl.li/1j5Eh6
  • D&AD Professional Awards Winnersowl.li/aute2
  • The brain: a user’s guide owl.li/avhfj
  • Six degrees of aggregation: How The Huffington Post ate the Internet owl.li/arw1P
  • Did Humans Invent Music? owl.li/aruYh
  • The story of the legendary CalArts in a video produced by Walt Disney Productionsowl.li/9hZyB
  • White House Announces Arts Education Planowl.li/auqs9
  • Better thinking through caffeine. owl.li/aruKz
  • Email Is Not Broken; We Are owl.li/artOE
  • Artist Damien Hirst Looks Back On His Life In Artowl.li/1j3mjd
  • MIT Media Lab is live streaming some great talks today. Currently a presentation on Design & Experience owl.li/au3Zu
  • The 100 best games of all time owl.li/arobh
  • From the Ad Age Archives: Dick Clark on Youth Ad Market owl.li/arnfk
  • Harvard sociobiologist E.O. Wilson on the origins of the arts owl.li/arnaq
  • The Pomodoro Technique by Greg Headowl.li/9hZuA
  • The Evolution of TV Credits, from Smash to Six Feet Under owl.li/armm2 And this:owl.li/armm3
  • This is great: Valve’s new employee handbook.owl.li/arm4J
  • A Year Inside The Australian Ballet: Episode 2owl.li/1j18QU
  • Can You Make Yourself Smarter? owl.li/arsUZ
  • To Compute or Not to Compute—Wolfram|Alpha Analyzes Shakespeare’s Plays owl.li/affeF
  • Adobe Officially Unveils CS6 And Its $49/Month All-Inclusive Creative Cloud Subscription Service owl.li/arYZ3

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Improv (What I Learned This Week)

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Procrastination Continued

There was procrastination animated, and a deeper question of what are we waiting for when we procrastinate, add to the ongoing exploration of procrastination this wonderful animated visualization by Ryan Perera as we end the week and probably try to avoid getting any new work started before the weekend. 

A short motion graphics piece about procrastination. A topic that is definitely fitting (or once was) to my lifestyle. More of my stuff can be seen at www.ryanperera.tv SPECIAL THANKS: VOICE ACTOR: ANDREW HOWELL Contact: andrew.howell.artist@gmail.com MUSIC: DUANE PERERA Contact: ansane.com Sources: en.wikipedia.org/wiki/Procrastination curiosity.discovery.com/question/why-we-procrastinate news.cnet.com/A-formula-for-procrastination/2100-1008_3-6149636.html

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Joss Whedon On Worthy Work

All worthy work is open to interpretations the author did not intend. Art isn’t your pet — it’s your kid. It grows up and talks back to you.

( via IAMAJossWhedon on Reddit 

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.