The Week's Links (8.21.11)

All the links posted to Facebook and Twitter (@) this week:

  • Glamour Mag Flavored Donuts Hit Shelves in U.K. owl.li/67TqL
  • Portraits Can Get Your Pulse Pounding - Miller-McCune owl.li/5PG8j
  • Harnessing the Power of Feedback Loops owl.li/5O5gC
  • Well done is better than well sued ow.ly/1ejKm7
  • Has the Patent Game Changed? Just Ask Kodak owl.li/67JdK
  • H. P. Lovecraft’s Commonplace Book | Beyond The Beyond owl.li/5O5fz
  • The Fried Chicken War by Rebecca Federman - Lapham’s Quarterlyowl.li/5O5cc
  • ‘Jim Henson’s Fantastic World’ at Museum of the Moving Image owl.li/67qWZ
  • Inside Google’s User Experience Lab: An Interview With Google’s Marcin Wichary - Smashing Magazine owl.li/5PRlm
  • Temporary tattoos fitted with electronics make flexible, ultrathin sensorsowl.li/62PTZ
  • Two decades of the web: a brief history | Prospect Magazine owl.li/5PO5S
  • What If Tim Berners-Lee Had Patented The Web? owl.li/62VF8
  • Terry Gilliam Shows You How to Make Your Own Cutout Animationow.ly/1eiF61
  • Google Maps mashup explores flight paths’ hidden treasures owl.li/5NHII
  • Reading on the iPad — Shawn Blanc owl.li/5M7iK
  • the color of: an attempt to find out the color of anything owl.li/5O5lz
  • Oreo Cameo - Judith G. Klausner owl.li/5IAAE These are incredible.
  • How It’s Made: Instant Film for Polaroid Cameras ow.ly/1ehC81
  • The UI Geniuses At Berg Rethink The Common Receipt | Co. Designowl.li/62W8j
  • 30+ Informative Typography Related Blogs owl.li/5PJxA
  • Defending The Generalists In The Web Design Industry - Smashing Magazine owl.li/5NZgW
  • A Conversation on Transmedia with Henry Jenkins and Lance Weilerow.ly/1egFOD
  • Letters of Note: Bill Gates’ The Internet Tidal Wave owl.li/5NKqa An internet classic.
  • CreativeJS | The very best of creative JavaScript and HTML5 owl.li/5NZed
  • Creativity Top 5: August 15, 2011 ow.ly/1eg0Gv
  • Montessori Builds Innovators - Andrew McAfee owl.li/5NZ9T
  • Spoilers Don’t Spoil Anything owl.li/62UrL Therefore: owl.li/62UrM
  • 9 Reasons Why Failure Is Not Fatal owl.li/62yx7
  • Why the role of a “Digital Strategist” needs to evolve / Constant Betaowl.li/5NOUd
  • How Smart People Think ow.ly/1efGqT
  • Useful Ideas And Guidelines For Good Web Form Design - Smashing Magazine owl.li/5IAEx
  • Futures of Entertainment 3: Program 11/21-22/11 owl.li/62zc9
  • On Keeping It Simple :: The 99 Percent owl.li/5Iz6l
  • Networked Knowledge and Combinatorial Creativity | Brain Pickingsowl.li/62zgY Must see.
  • The Elusive Big Idea - NYTimes.com owl.li/62TYR What is the point of an idea? Are ideas dead? Is thinking dead?

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Well done is better than well sued

"A definition is the enclosing of a wilderness of ideas within a wall of words." Samuel Butler

In last weekend's The New York Times the paper featured an Opinion article by Neal Gabler titled The Elusive Big Idea. In the article Gabler explores the very definition of ideas and thinking. What is an idea? What are they for? And, do we care?

If our ideas seem smaller nowadays, it’s not because we are dumber than our forebears but because we just don’t care as much about ideas as they did. In effect, we are living in an increasingly post-idea world — a world in which big, thought-provoking ideas that can’t instantly be monetized are of so little intrinsic value that fewer people are generating them and fewer outlets are disseminating them, the Internet notwithstanding. Bold ideas are almost passé.

It is not so much that bold ideas are passé as it is that bold ideas tend to be very costly.

Patent lawsuits are rampant at the moment, everyone suing everyone else, from Lodsys suing independent developers (and Apple trying to defend them), to Google, Apple, Microsoft, HTC, Samsung, and others all suing each other in various incestuous permutations fighting to put up the the walls that will determine what "mobile" means.

And it's not just technology. Lawyers, with their walls of words, are doing a great job to make anyone pursuing creative thought feel like the simple act of thinking is always pending litigation.

Ultimately there are two kinds of ideas: those that live in the ether of concepts and angels and dreams and those that are made known through action.

The boldest idea is the one that is actually implemented. Anyone can have a thought, anyone can try to define it, contain it, claim it, sue for it, but few, those that dare develop it, build it, are the true thinkers.

Bold ideas may be passé, but bold, differentiating action is not, and never will be.

Most importantly, if you can make something happen from an idea once, you can do it again.

With apologies to Benjamin Franklin, well done is better than well sued.

 

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Terry Gilliam Shows You How to Make Your Own Cutout Animation

Put aside 14 minutes and Terry Gilliam, the legendary Monty Python animator, will show you how to make your own cutout animations. Gilliam started out his career as an animator, then moved to England and joined up with Monty Python’s Flying Circus. For years, he worked as the group’s animator, creating the opening credits and distinctive buffers that linked together the offbeat comedy sketches.

 

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

How It's Made: Instant Film for Polaroid Cameras

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

A Conversation on Transmedia with Henry Jenkins and Lance Weiler

Henry Jenkins and WorkBook Project founder Lance Weiler sit down for a conversation about participatory culture and how “if it doesn’t spread it’s dead.”

For more from Jenkins check out his book Convergence Culture

( via workbookproject.com)

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.