David Parsons' Caught vs Wrecking Crew Orchestra's Tron

In 1982 David Parsons premiered Caught, a work that he performed himself. Almost instantly it became a masterpiece of modern dance. Using simple light cues and a strobe Caught features more than 100 leaps in six minutes by a solo dancer who is repeatedly trapped in mid-motion by the strobe lights, to create an illusion of flight. It has been performed thousands of times worldwide, for nearly thirty years.

The video below does not do justice to the piece, it just gives an overall feeling of what it looks like. In the mid 90s I saw it live for the first time. What the video below is missing is how all your senses are engaged when seen in a theater. You sit in absolute darkness and every time the strobe comes on you see an even more incredible leap frozen in time. You wonder how on earth Parsons can time the leaps with such precision while in the dark. You hear the breathing accelerating as the piece goes on, you hear the loud steps with every landing and jump, you are well aware that what you are looking at seems like magic but is indeed a man working very hard. It is mesmerizing. I’ve seen the piece live 5 times over the years and every time, no matter the audience or location at the end everyone erupts in applause. 

A few weeks back a Tron-inspired dance by the Wrecking Crew Orchestra made the rounds. This new routine by the Japanese dance team relies on specially-designed suits covered with wireless, light-emitting strings that can be controlled remotely. As soon as I saw it I thought of Caught

The dancers behind both of these pieces work hard, and have a few tricks up their sleeves, to create amazing dance illusions. It is easy to see that there is direct conceptual connection between the two, becuase, as I always say here, everything is a remix

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Creativity Top 5: April 3, 2012

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

The Secret Lives Of Dancers

Over the years I’ve worked with many dance companies, producing and marketing seasons from ballet to modern dance. One of the things I always wanted to do but could not (so far) was create an end of season annual report that not only covered operations and finances but also covered the year from the point of view of the various creative and technical departments, showing a glimpse of the hard work it takes to create a season of dance. 

Dancers train like Olympic athletes, with none of the endorsements and all of the injuries. They have the musicality of the best classically trained musicians. They can perform complex space-time computiations in their minds while contorting their bodies, to the beat. And then when they get on stage they can move you with extraordinary expresions of joy or sorrow. 

A side anecdote: while working for Ballet Hispanico, I watched and heard endless rehearsals for a particular piece. I had heard the choreographer explain the very moving scene, heard the music over and over and over for days on end, watched the dancers work at mastering and perfecting the moves. In essence I felt like I knew the routine as well as an outsider could. Then on opening night, after all the commotion of starting a new season, I finally sat down in the theater next to my colleagues and when this particular section started I found myself crying almost uncontrollably, surrounded by other company staff that were also crying, the audience was crying. The dancers had taken something that I had seen completely deconstructed and analyzed and were able to strip away all of it and instead infuse the performance with profound humanity and beauty.

It is becuase of this love of dance and the complexities of creating dance that I am excited about two ventures started by two major international ballet companies. 

The Australian Ballet, Australia’s national ballet company, is profiling a year in the life of two of the company’s dancers, senior artist Amy Harris and corps de ballet dancer Jake Mangakahia. The ten-part web series begins in January as the company returns from the Christmas break and prepares for the year ahead. Part 1 is below. Subscribe on YouTube to see the following 9 parts as they are released through the year. 


(via couriermail.com.au & YouTube)

New Zealand’s TV3 has just concluded the second season of The Secret Lives of Dancers, a prime time show that goes behind the scenes at the Royal New Zealand Ballet. Though video of the show is hard to find if you can get your hands on it you should check it out. The second season focused on famous New York dancer Ethan Stiefel becoming their new Artistic Director, with all the interesting cultural juxtapositions that implies, as the company stages their biggest production so far. It is compelling television to watch how the lives of the dancers affect the productions, and how some dancers make it and some do not despite all the hard work.  

Think of all of the work that you do, all the design, all the technology, all the user interactions and constant pushing forward, dancers do that and more. They could be your source of inspiration, your source of entertainment, they could spark your next great idea. You really should go see live dance. 

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Dancers In Slow Motion

Let’s begin the week with some beautiful dancing slowed down. Two very different dance styles, one filmmaking technique, so we can see in detail what dancers can do with their bodies.

Marina Kanno and Giacomo Bevilaqua from Staatsballett Berlin perform several jumps captured in slow motion at 1000 frames per second.

(via Kottke.org)

Which of course reminds me of David Michalek’s Slow Dancing installation. If you think these are impressive, you should see dancers projected in HD on the sides of buildings. I had an opportunity to see the installation at Lincoln Center a few years ago. It was amazing to witness  a sea of people basically having picnics around the Lincoln Center fountain watching the projections late into the night. Do yourself a favor, find a dance theater near you and go see a live dance performance. 

Copyright David Michalek http://www.slowdancingfilms.com

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

The Week's Links (3/31/12)

All the links posted to TwitterFacebook and Google+ this week: 

  • Pollen Always Wins (What I Learned This Week)owl.li/1ithUi
  • Craig Mod on The Digital↔Physical: On building Flipboard for iPhone and Finding Edges for Our Digital Narratives owl.li/9XZhV
  • Smarthistory, a multimedia web-book about artowl.li/9hYUJ
  • How To SuperBetter Your Life With Epic Wins The Way Jane McGonigal Does owl.li/9XpPF
  • The “Pull To Refresh” Thing In iOS, Twitter Has A Patent On It owl.li/9Xpqd Reminds me of this: owl.li/9Xpqe
  • A Book Is Born owl.li/1irzo7
  • Google Partners With Pandora, AdWeek, NYDN On New Paywall ‘Substitute’ owl.li/9XmsN
  • The Cost Of Creativity owl.li/9V1ar Further exploration of how creativity works by @jonahlehrer.
  • Logorama owl.li/9hYT8
  • A List Apart: Artistic Distance owl.li/9UDmv
  • Art organizations, tweet seats are not the solution, they are a symptom of a larger problem. owl.li/9UEO8
  • As his invention celebrates its 20th anniversary, Nathaniel Borenstein explains the email attachment. owl.li/9Um0T
  • Authenticity in Pop Music: Computer Generated Miku Hatsune vs. Marketing Generated Lana Del Rey owl.li/1ipPzX
  • Condoleeza Rice Makes the Case for Arts in Education | PBS Video owl.li/9Uitl
  • 10 Wonderful Short Stories to Read For Free Online owl.li/9TDNS
  • Nina Simone Feeling Good owl.li/9hYPS
  • The 5 Types of Work That Fill Your Dayowl.li/9TCHU
  • Reinventing A News Channel For A Social Age—An ITV News Case Study owl.li/9TzDm
  • Art In The Era Of The Internet: The Impact of Kickstarter, Creative Commons & Creators Project owl.li/1iodub
  • Behind the Scenes of “Metropolis”, 1925-1926owl.li/9RLFq Love this.
  • Terry Gilliam’s Debut Animated Film, Storytimeowl.li/9RLDQ
  • Creativity Top 5: March 27, 2012 owl.li/1imWRZ
  • Pixar President Ed Catmull on what makes a company creative owl.li/9hYOB
  • The Media Map: Who’s Reading What And Where Based on Bitly Data - Forbesowl.li/9RLdD
  • The Translucent Cloud: Balancing Privacy, Convenience owl.li/9RL4K
  • The Path To Smarter Creativity owl.li/1imB0x
  • Wow. Mozart piano composition uncovered in Austria owl.li/9Uhyj
  • Fascinating. The New Yorker explores how an urban pop song is constructed. owl.li/9UgQv
  • BBH’s John Hegarty: Advertising is suffering from a creative deficit owl.li/9RL2o
  • The Idea Shop Is Open: Wired Launches Wired Opinion, daily insights, arguments and provocations from Wired thinkers owl.li/9Tzr6
  • Have physicists discovered the evolutionary laws of language in Google’s library? The Birth and Death of Words owl.li/9RJmh
  • Who is Don? owl.li/9hYNc
  • The 140 Best Twitter Feeds of 2012 | TIME.com owl.li/9RJ3P
  • Opera house and modern art gallery to be built near Burj Khalifa, Dubai owl.li/9RIY5
  • Hide and Seek: Bipolar Disorder and Creativityowl.li/9RIQV
  • Fish: The Best App/Essay/Manifesto I’ve Seen In Years owl.li/1ikLyc
  • Lessons from Google’s Project Re-Briefowl.li/9RHZf

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.