Pop Culture Through The Lens Of Nostalgia: The Evolution Of 8-Bit Art

Beginning with early Atari and Nintendo video games, the 8-bit aesthetic has been a part of our culture for over 30 years. As it moved through the generations, 8-bit earned its independence from its video game roots.

Is it really nostalgia if the creators of the 8-bit work didn’t originally experience what we are supposed to be feeling nostalgic about? That’s what comes to mind as I watch PBS Off Book latest episode: The Evolution of 8-Bit Art. 

Beginning with early Atari and Nintendo video games, the 8-bit aesthetic has been a part of our culture for over 30 years. As it moved through the generations, 8-bit earned its independence from its video game roots. The idea of 8-bit now stands for a refreshing level of simplicity and minimalism, is capable of sonic and visual beauty, and points to the layer of technology that suffuses our modern lives. No longer just nostalgia art, contemporary 8-bit artists and chiptunes musicians have elevated the form to new levels of creativity and cultural reflection.

For complete credits visit (and subscribe to) the PBS Off Book YouTube channel

Previously:

Tattoos: Pop Portraits, Japanese Traditional, American Eclectic
Art In The Era Of The Internet: The Impact Of Kickstarter, Creative Commons & Creators Project
Animated GIFs: The Birth of a Medium
Off Book Series One: The Complete Series

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Moment Factory: The Making Of A Super Bowl Halftime Show

While the Giants’ surprise victory over the Patriots made for an exciting Super Bowl XLVI at Lucas Oil Stadium in Indianapolis, Indiana, Madonna’s half-time show – a spectacle within a spectacle – also provided a thrill for U.S. television viewers, drawing an estimated 114 million faithful, edging out the record-setting 111.3 million NFL fans who tuned into the game alone, not including the nearly 70,000 attendees in the stadium itself. For Moment Factory, the challenge was considerable: Create an enhanced, immersive visual environment around Madonna throughout a 12-minute, five-song performance. With unique concepts designed to evoke the emotions of each individual song, the game-plan was not only to enthrall those in attendance, but also convey the same live energy and excitement for the many millions participating in the televised experience. With the collaboration of Cirque du Soleil’s Michel Laprise and Jean-François Bouchard, set designer Bruce Rodgers, Madonna creative director Jamie King, lighting designer Al Gurdon, TV director Hamish Hamilton and the NFL, Moment Factory made the grid-iron appear to come alive. --- Le spectacle de Madonna présenté pendant la mi-temps du XVLI Super Bowl, le 5 février 2012, a été perçu comme une des meilleures performances artistiques de l’histoire de l’événement. Moment Factory est fière d'avoir contribué au succès international de cette explosion musicale de 12 minutes en imaginant et en réalisant l'ensemble du contenu de projection. 114 millions de téléspectateurs et 70 000 amateurs réunis au Lucas Oil Stadium d’Indianapolis ont ainsi pu apprécier la création d’un des plus grands environnements multimédias immersifs jamais produit pour un spectacle. L'événement a été conçu et réalisé avec le concours de Michel Laprise et de Jean-François Bouchard du Cirque du Soleil, du metteur en scène Bruce Rodgers, du directeur de création de Madonna, Jamie King, du designer d'éclairage Al Gurdon, du réalisateur de télévision Hamish Hamilton, ainsi que de la NFL. www.momentfactory.com

The Super Bowl is were great advertising campaigns are launched, networks recoup the money they’ve lost during the year becuase of diminishing audiences and massive halftime spectacles are presented. Here is a rare and in-depth behind the scenes at this year’s Super Bowl halftime show, which was seen by more people than the game itself. 

For Moment Factory, the challenge was considerable: Create an enhanced, immersive visual environment around Madonna throughout a 12-minute, five-song performance. With unique concepts designed to evoke the emotions of each individual song, the game-plan was not only to enthrall those in attendance, but also convey the same live energy and excitement for the many millions participating in the televised experience. With the collaboration of Cirque du Soleil’s Michel Laprise and Jean-François Bouchard, set designer Bruce Rodgers, Madonna creative director Jamie King, lighting designer Al Gurdon, TV director Hamish Hamilton and the NFL, Moment Factory made the grid-iron appear to come alive.

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

PBS Idea Channel: Are Hologram Tupac and Hologram Freddie Mercury Nostalgia or New Aesthetic?

Everyone has already heard about the Tupac Hologram that played at Coachella earlier this year. But with Queen's recent announcement of a Hologram Freddie Mercury and TLC's plans for a Hologram Lisa Left Eye Lopes, it looks Hologram pop stars are here to stay.

Everyone has already heard about the Tupac Hologram that played at Coachella earlier this year. But with Queen’s recent announcement of a Hologram Freddie Mercury and TLC’s plans for a Hologram Lisa Left Eye Lopes, it looks Hologram pop stars are here to stay. At first glance it might seem like this is just more of the same old nostalgia, but the Idea Channel thinks these Holo-Popstars represent something much bigger and entirely new. They are the heralds of New Aesthetic, a hotly debated new art movement dedicated to the blending of art and technology.

Hosted by Mike Rugnetta
Made by Kornhaber Brown 

Previously on the Idea Channel:

Superflat Epic Minimalism And Hello Kitty
Is Instagram The Best Thing To Ever Happen To Photography?
Is “Texts From Hillary” Art?
Authenticity In Pop Music: Computer Generated Miku Hatsune vs. Marketing Generated Lana Del Rey
Super Mario Brothers Is The World’s Greatest Piece Of Surrealist Art

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

A Kind Of Artless Flattery

Written in one of my old notebooks is a quote. All I can gather from the notes around it is that it came from a magazine interview. I don’t know who was interviewed or in what magazine. All I can ascertain is that the interviewee was complaining about having his or her work copied. The interviewee explained how the famous adage “imitation is the sincerest form of flattery” is but a portion of the whole quote, taken out of context for the benefit of those doing the copying. According to the interviewee, and this is what is on my notebook, the full quote is:

“Imitation is the sincerest form of flattery, and originality is the sincerest form of criticism.”

The quote sprang to mind last week when Madonna, stay with me, launched her new tour. 

Don’t Go For Second Best - A line from Express Yourself

During the months leading to the release of her new album Madonna was asked how she felt about Lady Gaga as it looked like Gaga was on a path to collide with her as the reigning epic pop artist. In particular Madonna was constantly asked how she felt about Gaga’s hit Born This Way sounding incredibly close to her hit Express Yourself. In one interview she famously answered by calling Gaga’s song “reductive.” 

Last week Madonna premiered her new tour, which includes a performance of Express Yourself that is equal parts cover, mashup, homage, and dismissal of Gaga’s Born This Way. Performed in front of Roy Lichtenstein-inspired graphics displayed on the largest video screens ever used for a concert and without altering the music in any way, she seamlessly went from singing Express Yourself to Born This Way and concluded by also singing the chorus of another one of her songs She’s Not Me. As if to drive the point home further during the Born This Way parts of the song the dancers are copying Gaga’s choreography. When I saw this the part of my brain that loves pop culture as much as it loves technology almost could not process the many layers of meaning and commentary that were infused in what is at the core of it a heavily accessorized performance of a great pop hook. 

I’m Beautiful In My Way - A line from Born This Way

Recently rumors have been swirling in the blogosphere that Microsoft is going to introduce a version of Office for the iPad before the year is over. This is equal parts surprising and inevitable. Not one to be left behind, earlier this week Google announced the acquisition of QuickOffice connecting Office-compatible files between mobile apps and Google’s own web services. Google also showcased new Google Maps features, a few days before Apple is expected to announce new non-Google Map functionality in iOS during WWDC. All of these facts have left the part of my brain that loves technology as much as it loves pop culture almost befuddled with what is at the core of it differently accessorized versions of the same technology.  

I Know I Can Do It Better - A line from She’s Not Me

If everything is a remix, and all creative work builds on what came before then why have I begun to feel like pop culture, technology and pretty much every thing else is collapsing on itself? Why does it feel like every one is on a quest to be the most original (re)producer? Is it that the time between original creation and remix is shrinking exponentially, where soon we will be creating the original, the imitation, the remix and the reboot at the same time?

Let’s return to the quote that opened this post. But before we do so, this is the part where I tell you that Madonna’s song Express Yourself contains an obvious sample of Respect Yourself by The Staple Singers. 

“Imitation is the sincerest form of flattery, and originality is the sincerest form of criticism.”

I needed and wanted to find the origin of this quote. I have searched as comprehensively as I can only to find no references to the full quote. It appears this version of it, the version in my notebook, is completely made up. 

Origin:

This proverbial expression dates from the early 19th century, although versions of it that paraphrased the same thought existed well before then.

The first of these alternate versions is found in a biography of Marcus Aurelius by Jeremy Collier and André Dacier, titled Emperor Marcus Antoninus his conversation with himself, 1708:

You should consider that Imitation is the most acceptable part of Worship, and that the Gods had much rather Mankind should Resemble, than Flatter them.

A nearer stab at the current version comes in the English newspaper The Spectator in 1776, written by Joseph Addison and others, 1776:

Imitation is a kind of artless flattery.

The full monty as far as this proverb is concerned was given by Charles Caleb Colton, in Lacon: or, Many things in few words, 1820:

Imitation is the sincerest of flattery.

Creative work, technology, pop culture, even life, is a collection of successive variations on a theme differentiatied only by defaults and taste. The key to growth is to expose ourselves to as many themes as possible, to change the defaults. Ultimately, if you have something to say the best way to say it is to make something original. 

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

And You Can Dance. For Inspiration. (Five Views On Dance)

I didn’t intend to make dance the theme of the week but as it happens sometimes all of the ideas come together at once and so, in case you missed them earlier, here they are, five views on dance:

For more posts on dance check out the Dance category. I also encourage you to check out The Creative Habit: Learn It and Use It for Life and The Collaborative Habit: Life Lessons for Working Together, two fantastic books by one of America’s greatests choreographers and collaborators Twyla Tharp

 

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.