David Parsons' Caught vs Wrecking Crew Orchestra's Tron

In 1982 David Parsons premiered Caught, a work that he performed himself. Almost instantly it became a masterpiece of modern dance. Using simple light cues and a strobe Caught features more than 100 leaps in six minutes by a solo dancer who is repeatedly trapped in mid-motion by the strobe lights, to create an illusion of flight. It has been performed thousands of times worldwide, for nearly thirty years.

The video below does not do justice to the piece, it just gives an overall feeling of what it looks like. In the mid 90s I saw it live for the first time. What the video below is missing is how all your senses are engaged when seen in a theater. You sit in absolute darkness and every time the strobe comes on you see an even more incredible leap frozen in time. You wonder how on earth Parsons can time the leaps with such precision while in the dark. You hear the breathing accelerating as the piece goes on, you hear the loud steps with every landing and jump, you are well aware that what you are looking at seems like magic but is indeed a man working very hard. It is mesmerizing. I’ve seen the piece live 5 times over the years and every time, no matter the audience or location at the end everyone erupts in applause. 

A few weeks back a Tron-inspired dance by the Wrecking Crew Orchestra made the rounds. This new routine by the Japanese dance team relies on specially-designed suits covered with wireless, light-emitting strings that can be controlled remotely. As soon as I saw it I thought of Caught. 

The dancers behind both of these pieces work hard, and have a few tricks up their sleeves, to create amazing dance illusions. It is easy to see that there is direct conceptual connection between the two, becuase, as I always say here, everything is a remix. 

Art In The Era Of The Internet: The Impact of Kickstarter, Creative Commons & Creators Project

The internet has intensified connections between people across the planet. In this episode we take a look at the impact of this new interconnectivity on the art world. Traditional funding models are dissolving, new forms of expressing ownership have arisen to accomodate for remix culture, and artists are finding ways to connect physical art experiences and traditions to the internet.

I’ve said it before and I’ll say it again, I am loving what PBS is doing with their online series. And here is episode two of the second season of Off Book. 

The internet has intensified connections between people across the planet. In this episode they take a look at the impact of this new interconnectivity on the art world. Traditional funding models are dissolving, new forms of expressing ownership have arisen to accomodate for remix culture, and artists are finding ways to connect physical art experiences and traditions to the internet. In the digital era, the experience of art from the perspective of the artist and the art audience is shifting rapidly, and bringing more people into the creative process. 

Featuring:

Yancey Strickler, Co-Founder of Kickstarter
Lawrence Lessig, Co-Founder of Creative Commons
Ciel Hunter, Creative Director of Creators Project
Julia Kaganskiy, Editor of Creators Project

Previously:

Animated GIFs: The Birth of a Medium
Off Book Series One: The Complete Series

Fish: The Best App/Essay/Manifesto I've Seen In Years

Fish: A Tap Essay

Writer Robin Sloan has created one of my new favorites, one of those things that enter your life and fit like they’ve been there forever. 

He has created something truly marvelous that is in essence, well, here is how he describes it: “a short but heartfelt manifesto about the difference between liking something on the internet and loving something on the internet.”

I won’t say much more, no spoilers here, just go download it, it’s free, and take in what he has to say and how he has expressed it. 

I’ve already read it more than once. 

Animated GIFs: The Birth of a Medium - PBS Arts: Off Book

GIFs are one of the oldest image formats used on the web. Throughout their history, they have served a huge variety of purposes, from functional to entertainment. Now, 25 years after the first GIF was created, they are experiencing an explosion of interest and innovation that is pushing them into the terrain of art.

Recently I shared the complete first series of PBS Arts: Off Book. They’ve returned with a second series and the first episode explores the history of the GIF. I have to admit I find the Cinemagraphs shown and the whole concept behind them to be clever visual art. 

GIFs are one of the oldest image formats used on the web. Throughout their history, they have served a huge variety of purposes, from functional to entertainment. Now, 25 years after the first GIF was created, they are experiencing an explosion of interest and innovation that is pushing them into the terrain of art. In this episode of Off Book, they chart their history, explore the hotbed of GIF creativity on Tumblr, and talk to two teams of GIF artists who are evolving the form into powerful new visual experiences.

Featuring:

Patrick Davison, MemeFactory

Topher Chris, Tumblr

Pamela Reed and Matthew Rader, Reed+Rader

Jamie Beck and Kevin Burg, Cinemagraphs

 

(via Off Book)

True Innovation

Innovation and the Bell Labs Miracle by Jon Gertner - NYTimes.com:

But to consider the legacy of Bell Labs is to see that we should not mistake small technological steps for huge technological leaps. It also shows us that to always “move fast and break things,” as Facebook is apparently doing, or to constantly pursue “a gospel of speed” (as Google has described its philosophy) is not the only way to get where we are going. Perhaps it is not even the best way. Revolutions happen fast but dawn slowly. To a large extent, we’re still benefiting from risks that were taken, and research that was financed, more than a half century ago.