Radiolab Live: Apocalyptical

The great Radiolab podcast puts on a show, recorded live on stage in Seattle.

Dinosaurs, death, and destruction -- a thought-provoking and laughter-inducing dance on the grave of our inevitable demise. 

Cataclysmic destruction. Surprising survival. Radiolab turns its gaze to the topic of endings, both blazingly fast and agonizingly slow, in its live show Apocalyptical. With their signature blend of storytelling, science, and music, hosts Jad Abumrad and Robert Krulwich romp through hundreds of millions of years of history to arrive at the end, again and again. Comedians Reggie Watts and Kurt Braunohler join the party, while musicians On Fillmore and Noveller create a cinematic live score before your eyes. 

 

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

NASA’s Top 19 Typography Tips

From Smithsonian Magazine, the typography tips NASA shares with anyone creating content for them: 

1. Sans-serif fonts are usually more legible than fonts with serifs.

2. Avoid using a font that has characters that are too similar to one another, as this will reduce the legibility of the print.

3. Avoid using dot matrix print for critical flight-deck documentation.

4. Long chunks of text should be set in lower case.

5. If upper case is required, the first letter of the word should be made larger in order to enhance the legibility of the word.

6. When specifying font height, or accessing graphs to determine the size of a lower-case character, the distinction between “x” height and overall size should be made.

7. As a general recommendation, the “x” height of a font used for important flight-deck documentation should not be below 0.10 inch.

8. The recommended height-to-width ratio of a font that is viewed in front of the observer is 5:3.

9. The vertical spacing between lines should not be smaller than 25-33% of the overall size of the font.

10. The horizontal spacing between characters should be 25% of the overall size and not less than one stroke width.

11. Avoid using long strings of text set in italics.

12. Use primarily one or two typefaces for emphasis.

13. Use black characters over a white background for most cockpit documentation.

14. Avoid using white characters over a black background in normal line operations. However, if this is desired:

1. Use minimum amount of text. 
2. Use relatively large typesize.
3. Use sans-serif to minimize the loss of legibility.

15. Black over white or yellow are recommended for cockpit documentation.

16. Avoid using black over dark red, green, and blue.

17. Use anti-glare plastic to laminate documents.

18. Ensure that the quality of the print and the paper is well above normal standards. Poor quality of the print will effect legibility and readability.

19. The designer must assess the age groups of the pilots that will be using the documentation, and take a very conservative approach in assessing information obtained from graphs and data books.

 
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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Unravelling Some of Creativity’s Mysterious Origins With The Help of Brain Scanning Equipment

At PopTech 2013 Cognitive psychologist Scott Barry Kaufman unravels some of creativity’s mysterious origins with the help of brain scanning equipment. “Depending on what you are creating — the stimulus, the content — and what stage of the creative process you are in, different brain areas are recruited to help solve the task.”

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Bill Gates on Technology and Saving the World

Bill Gates starts an in-depth Financial Times interview with a simple truth: 

Bill Gates describes himself as a technocrat. But he does not believe that technology will save the world. Or, to be more precise, he does not believe it can solve a tangle of entrenched and interrelated problems that afflict humanity’s most vulnerable: the spread of diseases in the developing world and the poverty, lack of opportunity and despair they engender. “I certainly love the IT thing,” he says. “But when we want to improve lives, you’ve got to deal with more basic things like child survival, child nutrition.”
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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Adam Savage: Ground Rules for Success

The infinitely curious, brilliant, and kind Adam Savage gave the closing benediction at Boing Boing: Ingenuity theatrical experience at a former Masonic Lodge in San Francisco on August 18. The co-host of Mythbusters, co-founder of Tested, and Boing Boing contributor inspired us with his personal story of becoming a maker and outlined ten ground rules for success. 

 
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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.