The Real Work Of Writing: Elizabeth Gilbert Takes On Philip Roth

In fact, I'm going to go out on a limb here and share a little secret about the writing life that nobody likes to admit: Compared to almost every other occupation on earth, it's f*cking great. I say this as somebody who spent years earning exactly zero dollars for my writing (while waiting tables, like Mr. Tepper) and who now makes many dollars at it. But zero dollars or many dollars, I can honestly say it's the best life there is, because you get to live within the realm of your own mind, and that is a profoundly rare human privilege. What's more, you have no boss to speak of. You're not exposed to any sexual abuse or toxic chemicals on the job site (unless you're sexually abusing yourself, or eating Doritos while you type). You don't have to wear a nametag, and--unless you are exceptionally clumsy--you rarely run the risk of cutting off your hand in the machinery. Writing, I tell you, has everything to recommend it over real work.

As I have mentioned before I didn't discover Elizabeth Gilbert through her books, but rather through TED. I find her to be charming and witty in a way that motivates. In an essay for the wonderful Bookish site, quoted above, she takes Philip Roth to task for telling a newly published author who was waiting on him (Mr. Tepper above) the following: 

"I would quit while you're ahead. Really. It's an awful field. Just torture. Awful. You write and you write, and you have to throw almost all of it away because it's not any good. I would say just stop now. You don't want to do this to yourself. That's my advice to you."
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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Maira Kalman On The Power Of Lists, Maps And Organizing

Author and illustrator Maira Kalman on The Paul Holdengraber Show

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Attention Must Be Paid

Choice of attention - to pay attention to this and ignore that - is to the inner life what choice of action is to the outer. In both cases man is responsible for his choice and must accept the consequences. As Ortega y Gasset said: "Tell me to what you pay attention, and I will tell you who you are."  - W. H. Auden

From the introduction to Maria Konnikova's fantastic Mastermind: How To Think Like Sherlock Holmes

Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

The end of history and the last website

And so the rhythm of web work, the not-unpleasant repetition of edit-refresh, has changed. Now it’s edit-refresh-refresh-refresh. And with all those refreshes, you’re not just making sure your one single glorious layout looks right; no, that would still be tractable on a rainy day. Instead, you’re making sure the bizarro variant layouts you’ve cooked up for phones and tablets all look right, all unfurl themselves properly from within the same source somehow, the source that started out so simple, so elegant, but now it’s mutated, it’s full of special cases, because if the sidebar moves up to the top of the phone’s little screen, the buttons are going to have to line up in a row, but there isn’t room for all of them, and it’s not really even a sidebar anymore, is it…


Great observations about the web and web development by the fantastic Robin Sloan maker of Fish and writer of Mr. Penumbra's 24-Hour Bookstore.

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Craig Mod on Intertwingularity and the "User Experience" of Printed Publications

It may seem strange to think about printed publications as having a "user experience." But they do, of course. Print is a technology as much as desktop computers and tablets are technology. One of the qualities most natural to the user experience of print is the sense of potential completion, defined by the physical edges. It is a quality that is wholly unnatural to digital formats.
The digital reading experience makes one want to connect and expand outward. Print calls for limit and containment.

Boundaries are good for creativity. The creation of printed materials brings with it the challenge of borders, limits. Creating digitally is such an open-ended process that I find a large part of my work is conveying to teams what the project is not rather than what it is, making borders, limits. ​

Designer Craig Mod continues to explore the edges of print and interactive work through fantastic essays, like this one for CNN.com, and beautiful work. ​

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.