Benjamin Millepied: Haut Vol
/The Paris Opera Ballet takes flight above the French capital.
A Museum in England Is Hiding a Forgery Among Its Masterpieces
/Smithsonian.com shares a story of a South London gallery sparking a very valid art discussion:
What makes one piece of art more valuable than the next?
The curators at Dulwich Picture Gallery are bringing new life to the old question with a creative experiment. They will place a £120 replica of a highly prized painting into their collection, which includes work by Rembrandt, Poussin, Ruben and Veronese. But don’t expect any help from museum officials on determining which are authentic and which one is the fake. Instead, the Guardian reports, patrons will be challenged to make the identification themselves.
Alain de Botton "The News: A User's Manual"
/The news is everywhere. We can't stop constantly checking it on our computer screens, but what is this doing to our minds?
We are never really taught how to make sense of the torrent of news we face every day, writes Alain de Botton, but this has a huge impact on our sense of what matters and of how we should lead our lives. In his dazzling new book, de Botton takes twenty-five archetypal news stories--including an airplane crash, a murder, a celebrity interview and a political scandal--and submits them to unusually intense analysis with a view to helping us navigate our news-soaked age. He raises such questions as Why are disaster stories often so uplifting? What makes the love lives of celebrities so interesting? Why do we enjoy watching politicians being brought down? Why are upheavals in far-off lands often so boring?
In "The News: A User's Manual", de Botton has written the ultimate guide for our frenzied era, certain to bring calm, understanding and a measure of sanity to our daily (perhaps even hourly) interactions with the news machine.
The Meaning of "Culture"
/There’s something innately funny about Merriam-Webster’s announcement, earlier this month, that “culture” is their 2014 Word of the Year. “Culture” is the “Scary Movie” of words of the year, which, ordinarily, are supposed to reflect culture (“vape,” “selfie”) without actually being “culture.” Merriam-Webster’s editors are at pains to clarify that they weren’t trying to be meta (which, incidentally, would’ve made a great word of the year back in 2000). The word “culture,” they explain, was simply the word that saw the biggest spike in look-ups on their Web site. Confusion about culture was just part of the culture this year. People were desperate to know what “culture” meant.
It goes without saying that “culture” is a confusing word, this year or any year. Merriam-Webster offers six definitions for it (including the biological one, as in “bacterial culture”). The problem is that “culture” is more than the sum of its definitions. If anything, its value as a word depends on the tension between them. The critic Raymond Williams, in his souped-up dictionary, “Keywords,” writes that “culture” has three divergent meanings: there’s culture as a process of individual enrichment, as when we say that someone is “cultured” (in 1605, Francis Bacon wrote about “the culture and manurance of minds”); culture as a group’s “particular way of life,” as when we talk about French culture, company culture, or multiculturalism; and culture as an activity, pursued by means of the museums, concerts, books, and movies that might be encouraged by a Ministry of Culture (or covered on a blog like this one). These three senses of culture are actually quite different, and, Williams writes, they compete with one another. Each time we use the word “culture,” we incline toward one or another of its aspects: toward the “culture” that’s imbibed through osmosis or the “culture” that’s learned at museums, toward the “culture” that makes you a better a person or the “culture” that just inducts you into a group.
The Smithsonian Design Museum Tells the Story of User-Centered Design Through 120 Beautiful Products
/"Beautiful Users," a new exhibition at the Smithsonian Design Museum, tells the story of user-centered design through 120 objects. From Dreyfuss' Honeywell thermostat—his archives are housed at the museum—to prosthetic limbs and app-enabled air conditioning units, the products chart this history of designing with respect to human anatomy and behavior, up through the open-source, maker culture we see today. "The phrase 'designing for people' is giving way to 'designing with people' as creative teams seek more egalitarian relationships with an increasingly well-informed public," writes [Ellen] Lupton [senior curator of conteporary design at the Cooper Hewitt, Smithsonian Design Museum], in the exhibition catalog.