Fishing for Ideas

Chief Creative Officer at Ideo Paul Bennett, in The New York Times:

Creative people thrive on serendipity, spontaneous interactions, moments of ribald humor, intense debate or just simple eye contact, and I felt as if I was losing myself. I decided that it was time to act. So I tried an experiment. I just stopped saying yes and started saying no to things.

Actually, there was a bit more method to my madness. I started a ritual that I still use today: I sit down and look at my calendar every Sunday night, pore through my coming week’s meetings and cancel a bunch of them — redundant ones where I don’t need to be “in the loop,” ones where there is an opportunity for someone else to make a decision, ones that don’t particularly inspire me, or ones where I can’t really add value. My overarching goal right now, wherever possible, is to give myself more time to simply be.

I have a similar ritual on Sundays as I prepare for the week and I make as many decisions as I possibly can for the week on Sunday so I don't have to think of the day-to-day and can focus my attention on relevant details. And speaking of details, don't miss an early TED Talk by Bennett on the small details. 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Ken Burns' New iPad App Turns U.S. History Into Beautiful Mixtapes

The app, simply called “Ken Burns,” allows the user to surf an overarching timeline year by year, seeing how clips from each film line up chronologically with – and, as Burns says, “speak to” – each other. Zoom in on 1869, for example, and a cloud of clips from The Civil War, The West, and The National Parks orbit in parallax formation around one another; swipe to 1930, and it’s clips from Jazz, Prohibition, Baseball, Huey Long, Thomas Hart Benton and The Dust Bowl. You can also watch its six playlists straight through – they range in length from 20 minutes to an hour long – or select individual clips à la carte.
 
The concept came out of a conversation Burns was having two years ago with MacKinnon, who is the music entrepreneur behind Hear Music and has known Burns since they worked together on music components for 2001′s Jazz.

 

“Ken and I were talking about how his films were in the search engines of iTunes and Netflix, and they’re always the top-rated thing when they run on PBS, but there wasn’t a digital place where all of his films were presented as one thing, as an integrated body of work,” says MacKinnon. “Then he paused for a second, and looked at me and said, ‘I really love my iPad.’”

Download the app but only if you are prepared to lose your day to it. 

Creativity Becomes an Academic Discipline

Laura Pappano in The New York Times

Critical thinking has long been regarded as the essential skill for success, but it’s not enough, says Dr. Puccio. Creativity moves beyond mere synthesis and evaluation and is, he says, “the higher order skill.” This has not been a sudden development. Nearly 20 years ago “creating” replaced “evaluation” at the top of Bloom’s Taxonomy of learning objectives. In 2010 “creativity” was the factor most crucial for success found in an I.B.M. survey of 1,500 chief executives in 33 industries. These days “creative” is the most used buzzword in LinkedIn profiles two years running.
Traditional academic disciplines still matter, but as content knowledge evolves at lightning speed, educators are talking more and more about “process skills,” strategies to reframe challenges and extrapolate and transform information, and to accept and deal with ambiguity.
Creative studies is popping up on course lists and as a credential. Buffalo State, part of the State University of New York, plans a Ph.D. and already offers a master’s degree and undergraduate minor. Saybrook University in San Francisco has a master’s and certificate, and added a specialization to its psychology Ph.D. in 2011. Drexel University in Philadelphia has a three-year-old online master’s. St. Andrews University in Laurinburg, N.C., has added a minor. And creative studies offerings, sometimes with a transdisciplinary bent, are new options in business, education, digital media, humanities, arts, science and engineering programs across the country.

 

When asked I often say that I am an independent student. To me being willing to learn new things quickly and juxtapose them against what you already know to see what comes out of that friction is the key to smarter creative thought. My concern with institutionalizing the teaching of creativity is that if you are not curious and willing to constantly study no amount of university classes will instill that in you. Are we making creativity studies the new MBA? Wanted by everyone for the effect it may have on their careers without regard to whether it is the best way for an individual to cultivate creative thinking. You can teach someone how to play the piano, but if they are lacking musicality you can not make them into an artist. 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Neil Gaiman Reads Dr. Seuss

Entertainment Weekly's On The Books section points us to this gem:

Don’t you wish that Neil Gaiman was your kooky uncle? He would sneak you into the circus and you’d get to hold the Biggest Amazonian Python That Ever Lived (whose name is Lucille). He’d help you put frogs in your sister’s bathtub. He’d keep secrets for you, like that time that you accidentally buried your dad’s favorite watch in the park. He would agree that pirate treasure is only good if it’s buried. To help you cement the fantasy that Gaiman is your favorite uncle, here he is reading Dr. Seuss’ Green Eggs and Ham.

 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.

Photographer JR and New York City Ballet Collaborate For Art Series

An Unexpected Way to Experience a Night at the Ballet

Following the inaugural 2013 installation LES BALLETS DE FAILE, New York City Ballet is proud to collaborate with the French artist known as JR for the second annual Art Series.

Exhibiting freely in the streets of the world, JR catches the attention of people who are not typical museum visitors. His largest project to date, INSIDE OUT, was born in 2011 when JR won the TED prize and called for the creation of a global art project with the potential to change the world. Transforming messages of personal identity into public works of art, more than 172,000 people have taken part in nearly 8,600 locations around the world.

JR will share his Art Series installation during three special performance evenings — January 23, February 7, 13 — when every seat in the house is available for just $29. On these evenings, every audience member will receive a takeaway created specifically for this event.

Absolutely love this collaboration. More please. NYC Ballet should have a ballet with sets designed by JR. 

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Antonio Ortiz

Antonio Ortiz has always been an autodidact with an eclectic array of interests. Fascinated with technology, advertising and culture he has forged a career that combines them all. In 1991 Antonio developed one of the very first websites to market the arts. It was text based, only available to computer scientists, and increased attendance to the Rutgers Arts Center where he had truly begun his professional career. Since then Antonio has been an early adopter and innovator merging technology and marketing with his passion for art, culture and entertainment. For a more in-depth look at those passions, visit SmarterCreativity.com.